Poetry by Pip Wilson

Page 7

All poems Copyright © 2001-now, Pip Wilson, Wilson’s Almanac

 

Summer’s coming (Holy Waterfall, West Pennant Hills)

Summer’s coming, round my feet there clings a smell
so near to earth you have to kiss the ground before you know.
It's warming gum leaves on a concrete path of all
the places you'd expect it; it sends me back to places where I used to go.

That smell, I breathe it in till all my head is filled with it.
I pass back through the years to times I walked along
a narrow, sandy track that wound among the gumtrees,
on a blazing day when lizards ran away. The song
of kookaburras in the trees rings loud and friendly.
And huge expanses, sandstone monolithic haunts of ill-clad little boys
with pocket knives, sharpening sticks for wars, and hunting skinks
along the sand that lines Holy Waterfall; the joys
still have their smell and taste and feel; each cloudy star
of sunlight lying on the waterhole
I still can see, as though those red hot days
like branding irons had impressed their form
upon my memory and soul.


 

 

On the fading of delight

My parents have travelled more widely than I,

but I am more travelled than they.

They waved from the back of my Uncle Ray's car
as he drove to the airport - they waved

out the side window then from the rear,

down the road to the airport today.

My mother has travelled the world once or twice

and Dad half as much yet again,

yet she kisses my cheek quite eternally kissed

and he takes ahold of my hand,

for a Singapore holiday, which surely these days

most folks tend to have now and then.

The pity is cold that my youth is so old,

the wonder their age is so young.

Privileged travel, miraculous flight

still lighten their hearts with such strong
soaring wings and favourable airs;

can I forge for my old age their song?

Yesterday's children are innocent yet,

for all of the evil they saw

but we who are young in these easier times

are jaded, morose, firm of jaw.

And gods can't divine why it is that today

young people laugh less than before.


Weep at the headstone of Mrs McLeod,

eighty-two years, maybe more,

who, once as she clipped off a hollyhock stem,

a dragonfly darting she saw.

"My goodness, what colours! What glorious blue!"

to the personless garden she cried.

 

Edwardian corsets and strictures and cant

and Georgian divisions at last

like armour have rapidly fallen to time,

to rot and to moth and to rust.

But weep at the headstone of Mrs McLeod –
go pray that delight is not lost.

 

 

I think it in banana                              

 

I think it in banana.

I write it in cherry.

You read it in berry

and like it.

 

The shame is that cherry

I cannot abide.

What a shame you don't taste

what I think or I write.

And berry's a flavour

I do not much like.

 

How holy would be

our poetical karma

if only I wrote and you read

in banana.

 

 

Rwanda indisposition

I was watching TV tonight

Rwanda

the tragedy unfolding – that’s the TV cliché but what else can you say.

And how often have I seen footage

and I have compassion for these starving, traumatised Africans

of Ethiopia and Rwanda and Somalia

and how often have those pictures

despite my compassion

seemed to convey images in which I have no resonance.

Black people. African vegetation.

African topography and dust.

The sun shines

as it does on me in Australia

but the fact that there is light is so commonplace

that my mind doesn't leap up and say

"that is my Australian sun! Those are light waves, light reflection

like we have at home!

 

But tonight I saw footage of the full moon over an aid aircraft.

That was the same full moon I walked under last night

on my way to see a band in the big city while I thought about Rwanda.

Twenty-four hours ago

With the full moon

still fresh in my memory

And as redolent as aviation fuel burning

or cholera dead people swelling up in the equatorial sun.

 

Last night we all went to sleep under the same moon

Some of us half dead, some indisposed.

 

July 24, 1994

 

 

 

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