Poetry by Pip Wilson

Page 14

All poems Copyright © 2001-now, Pip Wilson, Wilson's Almanac

 

 

 

 

Avalon justice

    (Written in 1991)

Home this morning
pancakes and coffee
electric bright, warm,
SBS test pattern blues.
Leadbelly sang Black Betty.
The wet sou-wester
whewed at my back windows.
I faced east.
Leadbelly sang Love in Vain.

When the train,
left the station …


That was too much man.
I bolted for the breakers.

I caught this morning morning's blackness
staining frigidly the bucking pacific
and all the day a dark and turquoise
night- and white-capped romance
on the seething god.
Like lapis lazuli; something mined.

Beating on the northern headland
and on the shallow beach
made shallower by the sands reclaimed
by Wednesday's bigger breakers,
frothing white choppy rollers.

And like a windhover, Christlike,
a cormorant,
Avalon sea hunter,
two kilos of wilderness
about a stone's throw from the shops,
            wheeling
                        plunging
flies up through the glass-blown ocean
swims up mindlessly disappointed in air
            suddenly
shudders off its wetness like a dog.
A bit pathetic really.
You had to laugh though.

And seldom so leaden
the vista from home
the pellets of winter
the drowned man's foam.

Lately I've been working on injustice
Tim Anderson falsely bound.
By the brutal mother sea
cold infinity
injustice for me I disowned.

There are pools by the smashing and churning
still and clear and cold.
Beaded seaweeds sway endlessly
in fantasies untold
(once I found a cowrie shell
as big as one hand could enfold).

The hunter dropped shadowless
cautiously I released my soul.

When the train,
left the station,
two lights on behind.
When the train left the station mama
there was two lights on behind.
The blue light was my blues,
an' the red light was my mind.

Near the wettest rocks were the pool gardens.
Rosettes were there and buttons,
buttons and velvet cushions,
camouflaged things you wouldn't touch,
all unmoved between the flailing blasts of rain.
Velvet cushions and gumleaf weeds,
mauve broccoli heads,
sultan's turbans,
trails maps and roadways
of another race through the looking-glass.

And all around were bubbled rocks
crumpled and crumbled and jumbled rocks
a jungle of swirling and pudding rocks
beneath the maddened sky.
Animal and brontosaurus rocks
whale and ledge and rotted rocks.
Monumental masons' building blocks of rocks.

Westward, and near the driest paving rocks
shivered desert pools where only sparse oysters,
like pensive poets, clung to rocks for meaning.

Sydney's seasons always turn
round about Anzac Day*.
The March equinox is academic:
March is still summer.
April is mostly warm. Even May.
But expect your first Antarctic blast
some time around Anzac Day.

There is no Australian
so cynical or brain-dead
that a dank chilling shadow
does not cross his skin
around April's end,
who doesn't hear the old shuffling soldiers
on wet streets at dawn,
doesn't see the grey injustice of a seabird
plunging in hungry impotence,
nor sense the injustice
befallen refugee mothers
unsung at dawn services.

On or about Anzac Day
I bolted to the blustery south headland
to light a torch for the creaking diggers,
the failed cormorant shuddering off failure,
the child-mothers of Kurdistan
and Mozambique,
of Site 2 and Ogaden,
waiting interminably by unvisualised borders.
I lit a torch for them.
And a torch for a man my age
imprisoned as the Hilton Bomber
branded like the Boston Strangler
prodded like the Yorkshire Ripper
innocent as the Avalon summer
now passed.
I lit a torch for Tim.

But some unbidden rain
quenched my flames
and some sou'westerly gust
flared up the one injustice I disown.

Lustily and guiltily, like a thief,
I warmed myself at its heat.

Rose up from cadaverous depths:
"Unjust? So say you!
But take that mother's dry hand,
the failed wing.
Look into the disparaging eye
of the sea in her withdrawals:
tell your comic injustice
to your face reflected all bourgeois and blooming.
Tell of disappointment to the treadmill tide,
and to the tidal bones, of love denied."

I looked long into that green eye,
green like gathering hail:
"Who set this up? Walt Disney?
What is unjust in the world?
I may warm myself at
the greatest and least of
my flames to injustice,
may I not?
Those of Nature and man
simply a matter of degree.
Of shuffle and plunge and plea –
all equivalent to a compassionate mind."

I took torch and ran
headlong to the ochre sand
of Avalon,
scarcely blinded
by intimations of equivalence
or blue lights or red lights,
securely knowledged in the
equivalence of solutions
that undoubtedly exist
in the sea of possibilities.
And more: the torch
to the one injustice I disown
burned bright and brighter
for that which has
been consummated by intent and
many wonders shared,
            however shared alone.

 

*Anzac Day, Australian holiday of remembrance of war, April 25

 

To Everypoet.com

"THE EVERYPOET BANNER EXCHANGE IS CURRENTLY UNDERGOING AN EXTENSIVE UPGRADE. PLEASE CHECK BACK IN A FEW WEEKS TO APPLY."
So says the sign at Everypoet.
So it has said for month after month after month.
Everypoet, listen to me please:
You are uncontactable,

never reply to emails,
sailing haughty on the high seas of the Internet
like the Mary Celeste, crewless and ghostly.
You have lived for free long enough on my website
in the banner exchange agreement that I have honoured so long
in a spirit of goodwill and innocence.

Now I shall take a few hours and remove your 

arrogant advertising from many webpages,

hunt you down in the html.
Forget the rent you owe me for all the hits you got by
squatting on my real estate.
I will not charge you.
Just go now, and don't knock on my door again.

 

 

 

Bello Ramble (October 25, 2007)

Oh this is what it's like sometimes
oh this is how it goes.
A wild colonial boy
in the Bellingen 'Truman Show'.
and this is what it's like sometimes
and this is how it goes.

And it's endless sky and it's mists of grey
and we must do it again.
And it's hi-yi-yi and it's hi-yi-yay
for don't we love Bellingen?

My first wife was the Hyde St clock,
for I said she was always wrong.
I said I was off to the crossroads
she said she couldn't come along.
And just sometimes I get it right –
think it's the times I do it alone.

My second wife was the footpath
on the east of Lavender's Bridge
'cause she was on the wrong side.
Thank Christ we didn't have kids.
Something she said split us apart
and something that I did.

I remember there on Hyde St
I was in the greengrocer's shop
it was about 19-and-76,
the grocer he leapt up,
lowered the roller door with a crash
I wondered what was up.

And it's endless sky and it's mists of grey
and we must do it again.
And it's hi-yi-yi and it's hi-yi-yay
for don't we love Bellingen?

And all was dark within that store
and by the spuds stood I,
and the grocer peeked out through a crack
until the funeral passed by.
When Mrs Reid's cortège had passed
he flung the shutters high.

And I looked out into the street,
for Mrs Reid the town was shut
till shopkeeper after shopkeeper
opened all the shop doors up.
For that was how it was my friends
and on that I won't shut up.

And it's endless sky and it's mists of grey
and we must do it again.
And it's hi-yi-yi and it's hi-yi-yay
for don't we love Bellingen?

And my third wife was the Bellinger
'cause she was new but old.
My fourth wife was September
for she was hot and cold.
My fifth wife I remember
took my silver for her gold.

And my sixth wife was a black cockatoo
whose cry said rain was coming.
My seventh I called the valley,
she set my heart a humming
she set my heart a humming
a billion cicadas drumming!

And it's endless green and it's endless blue,
at the wharf the cedar's still loading.
And lay me down with corroboree
and remember my heart exploding
for this deep soil and my youthful toil
and may I leave nothing owing.

And it's endless sky and it's mists of grey
and we must do it again.
And it's hi-yi-yi and it's hi-yi-yay
for don't we all love Bellingen?

 

Sometimes grief descends

Sometimes grief descends
on hearts before bereaving.
Thinking on my hearty son
can set my heart a-grieving
chat distance might divide us
chen Jamie is a-leaving.

Sometimes grief descends
when all around is shining.
Venus fades into the day
when Erebus is declining.
And Jamie passing into James
can set my spirit pining.

Sometimes grief descends
when man insults perfection.
He gilds the walnut mirror frame
and etches out perfection;
turquoise-fold Aurora's light
he sullies with pollution.

And sometimes grief descends
by all accounts unbidden –
when better turns to best
we might grieve all of a sudden.
Grief requires but honest hearts:
its purposes are hidden.
Perhaps grief antecedes the men
and women that it saddens.

 

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